EDITORIAL DESIGN
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I wanted to break away from traditional editorial conventions and investigate how print could communicate through rhythm, interference, and fragmentation—both visually and conceptually.
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Working with layered transparencies, moiré effects, and distorted halftone textures, I explored non-linear storytelling. The layouts used asymmetry, disrupted grid systems, and heavy contrast to challenge the reader’s path through the material—turning reading into a sensory experience. Transparent paper and layering techniques created a dialogue between foreground and background.
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The result is a set of avant-garde publications that invite interpretation rather than instruction. They showcase how print can feel alive—tactile, layered, and unpredictable—and reinforce the value of analogue
processes in an increasingly screen-dominated culture.
